Source: Futility Closet

Three meters wide, Frederic Edwin Church’s 1859 painting The Heart of the Andes was the IMAX feature of its day: On its debut in New York, 12,000 people waited in line for hours to pay 25 cents for a look at the canvas, which was displayed between theatrical curtains. One witness wrote, “Women felt faint.
Both men and women succumb[ed] to the dizzying combination of terror and vertigo that they recognize[d] as the sublime. Many of them will later describe a sensation of becoming immersed in, or absorbed by, this painting, whose dimensions, presentation, and subject matter speak of the divine power of nature.” Mark Twain raved to his brother:I have just returned from a visit to the most wonderfully beautiful painting which this city has ever seen — Church’s ‘Heart of the Andes’ … I have seen it several times, but it is always a new picture — totally new — you seem to see nothing the second time which you saw the…
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