На информационном ресурсе применяются рекомендательные технологии (информационные технологии предоставления информации на основе сбора, систематизации и анализа сведений, относящихся к предпочтениям пользователей сети "Интернет", находящихся на территории Российской Федерации)

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‘Death: A Graveside Companion’ offers an outlet for your morbid curiosity

 Vanitas Still Life With Flowers and Skull
BEAUTY AND DECAY Vanitas art, which explores the vanity of life and inevitability of death, became popular in the 16th and 17th centuries. Adriaen van Utrecht’s 1642 Vanitas Still Life With Flowers and Skull is shown.

Death: A Graveside Companion
Joanna Ebenstein (ed.

)
Thames & Hudson, $40

Death: A Graveside Companion makes for an unusual coffee-table book, with its coppery etched Grim Reaper on the cover. Yet you may be surprised by how much fun it is to pore through the book’s lavish artwork of skulls, cadavers and fanciful imaginings of the afterlife.

There is, after all, a reason for the term “morbid curiosity.” It’s only natural for people to try to understand and come to terms with their inevitable demise, and as the book reveals, it is only in modern Western society that the topic of death has become so taboo. Even as recently as Victorian times, the book notes, the dead were laid out in the family parlor, their hair cut off and twisted to make decorative mementos to hang on the wall.

As a founder of New York City’s now-closed Morbid Anatomy Museum, Joanna Ebenstein has set out to help change modern attitudes, by giving us permission to let our morbid curiosity loose. “It is my hope that this book might act as a gesture towards redeeming death, to invite it back into our world in some small way,” she writes. “It…

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