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15 Killer Facts About Zodiac

“This is the Zodiac speaking …”

So began one of the first cryptic letters from one of history’s most notorious murderers, whose identity remains unknown but whose story was brilliantly immortalized onscreen in David Fincher’s 2007 film Zodiac. The unsung masterpiece about a serial killer in 1960s San Francisco who manages to evade police, all while sending taunting letters to the media to further promote his agenda, just celebrated its 10-year anniversary.

We’re no closer to solving the mystery of the Zodiac’s identity, but we can solve the mystery of how Fincher and his collaborators—including stars Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr.—created one of the greatest procedural thrillers ever made.

Here are 15 facts to help you decode Zodiac.

1. ZODIAC COULD HAVE BEEN A DISNEY MOVIE.

Disney owned the rights to former San Francisco Chronicle cartoonist and author Robert Graysmith’s source material and tried to make the film for over a decade before the rights to the books, 1986’s Zodiac and 2002’s Zodiac Unmasked, lapsed back to Graysmith in the mid-2000s. According to This is the Zodiac Speaking, the feature-length documentary found on the Blu-ray release, that gave screenwriter James Vanderbilt and producer Bradley Fischer the opportunity to approach Graysmith themselves to option the books to potentially make a film without the Mouse House.

2. IT WAS A FAX THAT GOT PRODUCTION STARTED.

According to the same Blu-ray documentary, Graysmith informed Vanderbilt and Fischer that he was personally taking pitches from a handful of filmmakers now that he owned the rights to his books again, but only via a fax number through a local Kinko’s.

The pair built their pitch—which Vanderbilt described as asking, “What if Garry Trudeau woke up one morning and tried to solve the Son of Sam”?—and eventually won the rights to make the film after they successfully sent the fax.

Vanderbilt explained that, “Getting to know Robert during this process was actually invaluable because the script changed as we became friends; and very rarely in order to make him look better. Robert truly invited us into his life warts and all, and that’s how I think we ended up portraying him onscreen.”

3. DAVID FINCHER AGREED TO DIRECT THE FILM BECAUSE OF ANOTHER UNSOLVED MURDER.

After directing the 2002 thriller Panic Room, starring Jodie Foster and Kristen Stewart, Fincher began work on a five-hour, $80 million miniseries adaptation of author James Ellroy’s true crime novel The Black Dahlia. That project, chronicling the infamous unsolved 1947 murder of aspiring actress Elizabeth Short, eventually fell through (it was later made into a 2006 feature film by Brian De Palma). But according to This is the Zodiac Speaking, Fincher’s newly minted freedom led Vanderbilt and Fischer to approach him about directing Zodiac because it dealt with similar, noir-tinged police procedural themes.

4. FINCHER HAD A PERSONAL CONNECTION TO THE ZODIAC STORY.

In addition to having an interest in the Zodiac Killer’s story from a filmmaking perspective, Fincher had a personal connection to the story, too. Though the director was born in Denver in 1962, his family relocated to California when he was two years old—just a few years before the Zodiac committed his first murder. So he grew up fearing the serial killer.

“I grew up in Marin and now I know the geography of where the crimes took place, but when you’re in grade school, children don’t think about that,” Fincher said in the film’s production notes. “They think, ‘He’s going to show up at our school.’”

In an interview with The New York Times, Fincher recalled that what drew him to Zodiac was the same thing that drew him to Se7en: the fear that you never knew what the people around you were capable of. “That’s what Zodiac was for a 7-year-old growing up in San Anselmo,” Fincher said. “He was the ultimate bogeyman.”

5. FINCHER, VANDERBILT, AND FISCHER CONDUCTED THEIR OWN INVESTIGATIONS.

Once Fincher was on board, he, Vanderbilt, and Fischer agreed to develop further drafts of the screenplay to emphasize fact over fiction. They spent months poring over police documents and interviewing witnesses, investigators, and the case’s two surviving victims: Mike Mageau and Bryan Hartnell.

“It was really quite simple,” Fischer said of their approach. “Let’s find everyone we can who was materially involved in the investigation, and let’s sit down across from them, look them in the eye, ask them direct and sometimes difficult questions, and then hear what they have to say … We did our best to get it right.”

“I said, ‘I won’t use anything in this book that we don’t have a police report for,’” Fincher told The New York Times. “There’s an enormous amount of hearsay in any circumstantial case, and I wanted to look some of these people in the eye and see if I believed them.”

6. THE ONSCREEN KILLER IS HORRIFICALLY EXACT.

Fincher wanted absolute verisimilitude in depicting the Zodiac attacks, so the only time the killer appears onscreen is during incidents where there are on-the-record survivors or witnesses to the real-life events. This includes the opening attack on Darlene Ferrin and Mike Mageau at Blue Rock Springs, the attack on Bryan Hartnell and Cecelia Shepherd at Lake Berryessa, and the killing of taxi driver Paul Stine at Washington and Cherry Streets in San Francisco.

Survivors…

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