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The Vanishing World of Neon Motel Signs

Author: Aïda Amer / Source: Atlas Obscura

Grand View Motel, Raton, New Mexico; December 18, 1980. All Images Courtesy GTF Publishing

A distant glow appears on the edge of a desolate two-lane highway. As you pull up, the buzzing grows loud, drowning out the engine and the desert crickets outside. Voicelessly, it promises color TV, a kitchenette, and a phone in every room.

Symbols of American expansionism and the Space Age, these iconic neon signs once topped countless motor lodges on Route 66 and other stretches of two-lane blacktop.

The rise of automobile culture at the end of World War II gave Americans an easy and affordable way to see the country. Subsequently, mom-and-pop motels began appearing to meet the demand created by these new travelers. The motels strove to differentiate themselves with kitschy themes and eye-catching neon signs, which eventually emerged as distinctive images of Americana.

Bel Shore Motel, Deming, New Mexico; December 31, 1980.

Steve Fitch, who refers to himself as a visual folklorist, has documented the changing landscape of the American West since the mid-1970s. His new photo book, Vanishing Vernacular: Western Landmarks, is a striking visual commentary on how these once ubiquitous signs—alongside thousand-year-old petroglyphs, small-town murals, and drive-in theaters—are becoming part of the collective memory of the West.

Aside from his work as a photographer, Fitch also creates neon sculptures as an amateur neon bender. Atlas Obscura has a selection of images from his new book, and spoke to him about his interest in neon bending and his views on the changing landscape of the West.

Arrow Motel, Espanola, New Mexico; March 23, 1982.

What is it that appeals to you most about neon?

The way that you can draw with light.

What inspired you to work with neon, and how did you learn the craft?

I became inspired to learn to bend neon because of the photography that I was doing in the early 1970s, photographing vintage neon signs along our highways. In 1972 I made my first night photograph of a motel in Deadwood, South Dakota, that had a neon clock in the window. I began to make more and more photographs at dusk and at night, and I became very attuned into the many striking neon signs and murals that adorned our landscape. There were many beautiful neon murals on drive-in theaters, as well as figurative neon signs at motels and restaurants, many of them animated.

Many of these photographs are in my first book, Diesels and Dinosaurs. I was so taken by the beauty of the material that I started to think about making my own neon art pieces, and…

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