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How to Be a Good Creature: Naturalist Sy Montgomery on What 13 Animals Taught Her About Otherness, Love, and the Heart of Our Humanity

Author: Maria Popova / Source: Brain Pickings

“To be a good human being,” philosopher Martha Nussbaum observed, “is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control” — to have, that is, a willingness to regard with an openhearted curiosity what is other than ourselves and therefore strange, discomfiting, difficult to fathom and relate to, difficult at first to love, for we cannot love what we do not understand.

Out of such regard arises the awareness at the heart of Lucille Clifton’s lovely poem “cutting greens” — a recognition of “the bond of live things everywhere,” among which we are only a small part of a vast and miraculous world, and from which we can learn a great deal about being better versions of ourselves.

That is what naturalist and author Sy Montgomery, one of the most poetic science writers of our time, explores in How to Be a Good Creature: A Memoir in Thirteen Animals (public library), illustrated by artist Rebecca Green — an autobiographical adventure into the wilderness of our common humanity, where the world of science and the legacy of Aesop converge into an existential expedition to uncover the elemental truth that “knowing someone who belongs to another species can enlarge your soul in surprising ways.”

Looking back on her unusual and passionate life of swimming with electric eels, digging for mistletoe seeds in emu droppings, and communing with giant octopuses, Montgomery reflects on what she learned about leadership from an emu, about ferocity and forgiveness from an ermine, about living with a sense of wholeness despite imperfection from a one-eyed dog named Thurber (after the great New Yorker cartoonist and essayist James Thurber, who was blinded in one eye by an arrow as a child), and about what it takes for the heart to be “stretched wide with awe.”

Illustration by Rebecca Green from How to Be a Good Creature by Sy Montgomery.

Although Montgomery’s lifelong love of animals began with her childhood Scottish terrier, Molly, it took an uncommon turn in her mid-twenties, when she quit her job and moved halfway around the world to live in a tent in the Australian Outback. There, she had her first encounter with an animal so arresting as to be almost alien:

They were emus. Nearly six feet tall, typically seventy-five pounds, these flightless birds stand beside the kangaroo on Australia’s coat of arms as a symbol of this otherworldly continent at the bottom of the globe. Emus seem part bird and part mammal, with a little dinosaur thrown in. Shaggy, twin-shafted brown feathers hang from the rounded torso like hair. A long black neck periscopes up from the body, ending in a gooselike beak.

The wings are mere stumps, and stick out from the body like comical afterthoughts. But on their strong, backwards-bending legs, emus can run forty miles an hour — and sever fencing wire, or break a neck, with a single kick.

At the sight of them, a shock leapt from the top of my head down my spine. I’d never been so close to this large a wild animal before — much less while alone, on a foreign continent. I was not so much afraid as I was dazzled. I froze, caught by their grace and power and strangeness, as they lifted their long, scaly legs and folded their huge dinosaurian toes, then set them down again. Balletically dipping their necks into an S-shape as they picked at the grass, they walked past me, and then over the ridge. Finally their haystack-like bodies blended into the brown, rounded forms of the wintering bushes, and were gone.

After they left, I felt a shift in my psyche. But I had no idea that I had just caught the first glimpse of a life farther off the beaten path than I had ever imagined. I could not have known it then, but these strange giant birds would grant me the destiny Molly had inspired, and they would repay…

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