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Spider-Man: Homecoming manages to keep its stakes relevant to the state of Peter Parker’s life. The young Marvel character is dealing with your standard high school but also stopping a super villain from an evil plot. It never quite escalates to saving-the-world level of heroics which helps the film feel relatable, in a sense, as audiences see Peter in social environments and struggling with internal conflicts regularly.
Another element of the film which helped it feel so relatable is the cinematography choices made by Spider-Man: Homecoming director Jon Watts. Watts wanted the audience to feel as they were always right there, with Spider-Man.
“I wanted it to always be shot as if it was real, you know?” Watts tells Den of Geek. “If you actually had a Spider-Man who could do all of this stuff, you know, you would shoot it with actual equipment.”
“So, it’s really cool to do that [the swoopy camera]. I always call it the Peter Jackson camera moves, where the camera is going like ten thousand miles. But I didn’t want to do that for this, because I wanted to keep it all as grounded as possible. So, whether it was shooting with a drone camera or a helicopter or a cable-cam, or even just handheld, up on a roof chasing after him, I wanted it to feel like we were…
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