Author: Sarah Laskow / Source: Atlas Obscura

In the bright light of a summer afternoon, Green-Wood Cemetery in Brooklyn is filled with a quiet life. Dark birds flitter and squawk among blocks of granite, black-eyed Susans burst into flower beside catacombs, and fresh-cut grass scents the air.
Most of the stately gravestones are shaped into obelisks or headless angels or urns draped with stone cloth. Among these classic markers of memory, though, are surprises—grave markers that simulate the natural world that surrounds them. They are shaped like tree stumps.Some of Green-Wood’s tree-stump markers take the shape of a cross. Others are simpler, four or five feet tall, with their branch shorn off. One is a short, cleanly cut stump, like one a hiker might rest on during a long walk through the woods. It marks the grave of Alfred Vanderwerken Jr., who died in 1906. “He loved nature,” the marker says.
Tree-stump tombstones like these can be found in graveyards across the country. They tend to surprise people who come across them, since they’re not quite what we expect to see at the head of a grave. They date mostly to 1880s to 1920s, when funerary art in the United States was moving away from the grand mausoleums and obelisks found elsewhere in Green-Wood. The tree-stump stones were part of a movement to turn the focus of death back to life, and they’re a unique form connected with the secret societies of the time. “They qualify as folk art,” writes Susanne Ridlen, in her 1999 book Tree-Stump Tombstones.

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